The Korg Monotron will rock you!

£50. I want one!

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Korg Monotron UK price confirmed as £50

But no definite release date yet.  The only downside I can see is that it (apparently) needs alkaline batteries - I'd also like to be able to use rechargeables - but that's not a massive problem really...

     

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The Korg Monotron - a tiny monophonic analogue synthesizer

Read the Synthtopia article
Thanks to Chris Carter

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BugBrand CLK2A - Divisions

More details on the BugBrand Blog

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And here's the video! | Bliptronic 5000 LED Synthesizer from ThinkGeek

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Think Geek Unleashes Bliptronic 5000 LED Synthesizer | Future Music

“If HAL 9000 mated with R2-D2 and their electronic offspring was tutored by Kraftwerk it would probably end up something like the Bliptronic 5000 LED Synthesizer.” —Think Geek’s Crack Marketing Team

Think Geek’s new Bliptronic 5000 8-Bit synthesizer/sequencer is the first musical instrument by the eclectic cataloger. With an interface that’s reminisent of the Tenori-On, Monome, Block and the new Novation Launchpad, the Bliptronic 5000 is a palm-sized instrument that uses a pattern-based paradigm for music creation.

In the world of the Bliptronic, creating a song revolves around an ever evolving 4-beat pattern. Each row of vertical buttons represents the notes in one octave. Push a button to turn on a note, push the button again to turn off a note. Push multiple buttons in one vertical row to make a chord. The Bliptronic plays whatever you have selected in sequence horizontally across the display. When it reaches the end of the pattern, it repeats. The genius comes as you modify the pattern by turning notes on and off while the pattern is still looping to create evolving electronic melodies.

In addition to the grid of glowing LED buttons you’ll notice some other controls on the Bliptronic. These allow you to set the tempo (From 60-160 BPM), choose the instrument (From 8 different retro-synth type sounds), adjust the volume and turn looping on or off. An infinite number of Bliptronics can be attached together using the link ports and included cables. When one Bliptronic reaches the end of it’s pattern, the next Bliptronic is instantly triggered to start playing. This allows you to make longer songs where each person controls a section of the song. You can even set the tempo and instrument differently on each Bliptronic in the chain to achieve unconventional musical results.

Features:
» Unusual retro synthesizer is played with a grid of glowing buttons
» Create looping patterns and change them dynamically while playing
» Chain multiple units together and create more complex melodies
» One octave range. 8 notes can be played simultaneously
» 8 different old-skool synth sounding instruments to choose from
» Sounds created using FM waveform synthesis
» Set the BPM from 60 to 180 in 20 BPM increments
» Built in speaker with headphone jack and line-out jack
» Front panel is constructed from brushed aluminum
» Includes, manual and 2 link cables for connecting additional Bliptronic units
» Requires 4 x AA batteries (not included)

The Future: If the brain-trust behind the Bliptronic would have simply added MIDI to the 5000, they would have had the sleeper hit of the 2009 Holiday Season.

The Think Geek Bliptronic 5000 costs a mere $49 bucks and is available now. More information on the Think Geek Bliptronic 5000.

I want one of these! Anyone care to buy me one for Christmas?

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Throbbing Gristle/Chris & Cosey clip from Synth Britannia #synthbritannia

Great programme overall, though of course there were a few "why did/didn't they include so-and-so?" type quibbles.

Synth Britannia clips and programme track listing | BBC Four

Friday, 21:00 on BBC Four

Synopsis

Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.

In the late 1970s, small pockets of electronic artists including the Human League, Daniel Miller and Cabaret Volatire were inspired by Kraftwerk and JG Ballard and dreamt of the sound of the future against the backdrop of bleak, high-rise Britain.

The crossover moment came in 1979 when Gary Numan's appearance on Top of the Pops with Tubeway Army's Are Friends Electric heralded the arrival of synthpop. Four lads from Basildon known as Depeche Mode would come to own the new sound whilst post-punk bands like Ultravox, Soft Cell, OMD and Yazoo took the synth out of the pages of the NME and onto the front page of Smash Hits.

By 1983, acts like Pet Shop Boys and New Order were showing that the future of electronic music would lie in dance music.

Contributors include Philip Oakey, Vince Clarke, Martin Gore, Bernard Sumner, Gary Numan and Neil Tennant.

Phil Oakey

Phil Oakey describes how the Human League got the drum sound to Being Boiled.

Andy McCluskey

Andy McCluskey breaks down the structure of Enola Gay.

John Foxx

John Foxx takes you on a Arp odyssey.

Klaus Schulze

Klaus Schulze talks about, and demonstrates, his first synth.

Vince Clarke

Vince Clarke describes an early sampling drum machine

Tracklist

  1.  Depeche ModeNew Life

  2.  Wendy CarlosWilliam Tell

  3.  Wendy CarlosClockwork Orange Main Title

  4.  KraftwerkAutobahn

  5.  The ClashWhite Riot

  6. The NormalTvod

  7. The NormalWarm Leatherette

  8. The Future4 Jg

  9.  The Human LeagueBeing Boiled

  10.  Donna SummerI Feel Love

  11.  Cabaret VoltaireSeconds Too Late

  12.  Cabaret VoltaireNag Nag Nag

  13.  Joy DivisionAtmosphere

  14.  John FoxxUnderpass

  15.  Throbbing GristleStill Walking

  16.  Throbbing GristleHot on the Heals of Love

  17.  Fad GadgetBack to Nature

  18. Silicon TeensMemphis Tennessee

  19.  Gary NumanAre Friends Electric?

  20.  Gary NumanCars

  21.  VisageFade to Grey

  22.  Depeche ModeNew Life

  23.  Depeche ModeJust Can't Get Enough

  24.  The Human League Don't You Want Me

  25.  Heaven 17Penthouse & Pavement

  26.  Cabaret VoltaireLandslide

  27.  Soft CellTainted Love

  28.  YazooOnly You

  29.  YazooDon't Go

  30.  EurythmicsSweet Dreams

  31.  UltravoxVienna

  32.  KraftwerkThe Model

  33.  Depeche ModeEverything Counts

  34.  Depeche ModeMaster and Servant

  35.  Pet Shop BoysWest End Girls

  36.  New OrderCeremony

  37.  New OrderBlue Monday

  38. Philip Oakey & Giorgio MoroderTogether in Electric Dreams

Credits

Director
Ben Whalley
Producer
Ben Whalley
Executive Producer
Mark Cooper

 

Kaossilator Grid Modification (KGridMod)

Kaossilator 9x5 Design: (right click on picture and save to your desktop)


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Mini-KP 8x8 Design: (right click on picture and save to your desktop)

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Both of the designs above can fit in either the Korg Kaossilator, or the Korg Mini-KP, but the 9x5 grid is designed for the Kaossilator because of the 45 possible symbols that show in the Kaossilators display, and the 8x8 grid is based on the display of the Mini-KP.

As someone has commented on this blog, there is a diagnostic mode that you can enter on the Kaossilator which shows a display like the Mini-KP, displaying 8x8. So some people might want to try out the 8x8 grid in their Kaossilator. There is a video that 3amsleep has done on Youtube showing how you can get into this diagnostic mode:


Here is how to make your own grid in picture instructions! What fun...

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Watch my video about taking it all apart:

Why have I done this?

Well although I found that I could play nice little melodies on the touch pad, when I tried to reproduce them it was very difficult because the touch pad is just a blank black shape with no reference points on it to tell you where the notes you selected were.

So I have designed a grid that I have printed onto clear plastic, which can fitted over the touch pad. With this fitted you can still play the Kaossilator in the same way as normal, but now you have points of reference on the touch pad, making it easier to recreate melodies and remember locations of particular notes.

The 9 by 5 grid I have used is based upon the fact that the Kaossilator display shows 9 different symbols when you move across the touch pad horizontally, and 5 different symbols when you move down the touch pad vertically, giving 45 possible symbols in the display. Within each square and between squares there are note variations, and this variation is dependant on the scale that you have selected withing the Kaossilator, so the grid should be seen as a way of remembering where notes you are playing are located, as opposed to a specific square for each note.

In order to fit one of these properly you will need to open up your Kaossilator and therefore invalidate the warranty. Alternatively if you do not want to open up your Kaossilator you can just cut your grid to fit the touch pad and sit it on top, but obviously it will not stay put and will slide about.

Properly fitting it is quite simple, but care should be taken not to damage the electronics inside the device. Below is a video showing how to fit it.

This modification can also be made to the Korg Mini-KP Kaoss Pad, and fitting it to the Mini-KP is exactly the same as fitting it to the Kaossilator.

All you need to do is save one of the designs above to your desktop, print it out, drag the image into an open word processing text document (I use OpenOffice), and print it onto a bit of transparency film. I use an old inkjet printer, and you can buy transparency film for inkjets and it works fine. If you make sure the printed side is faced down on the touch pad when you fit it this will also ensure that you don't rub off the design.

You will also have to trim a tiny bit off the bottom left hand corner (nearest the K) so that it does not get in the way of the Gate/Arp Type LED.

That's it basically. Let me know if you have any questions, suggestions or requests.

As you can probably tell I'm not a natural blogger, and I'm not sure I have the patience to get into this whole area of blog design, so this will have to do for now. I might add some stuff at another time.

Cheers, TJ

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The World's First Synthesizer!

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